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Visitors can watch ‘Wooden Harubang (Grandfather)’, ‘Wooden Haenyeo (Woman Diver)’, ‘Wooden Heobeok (Water Jar)’ being made in the woodcraft shop.
 
Wood carving is the art of engraving or embossing pictures or characters onto wood plate with knife, chisel or hammer. Doorplates or family precept plates are made and sold.
 
In Seodang, where children were educated in ancient times in Korea, family precepts or sage remarks are produced and sold.
 
Handwritings of Chusa Kim, Jeong-Hee, who was a master calligrapher in the late Chosun Dynasty are on display. He completed his ingenious calligraphic style while sent into exile to Jeju Island. The exhibition hall displays masterpieces of Chusa and sells family precepts or traditional Korean-style drawings.
 
One of the common tools to represent a blacksmith's shop is the bellows used to make wind for fire. There are two kinds of the bellows; one is hand bellows and the other is foot bellows. You need use your hands to make wind with the former and your feet with the latter. Hand bellows are divided into Dokdakbulmi and Tobulmi; with Dokdakbulmi, a blacksmith heated and hammered on a piece of iron tempered from cast iron to make a knife or a weeding hoe. It was easy to make wind with Tobulmi, which contributed to the process that a blacksmith melted iron in a blast furnace and poured the melted iron liquid into a mold of a kettle, a plow, and a moldboard. The one displayed at the Jeju Folk Village Museum is a Dokdakbulmi.
 
Traditional Korean fortuneteller predicts your destiny based on ‘Saju (the 4 Pillars)’ which are year, month, day and hour. It looks no different from ordinary houses outwardly, but enshrines a deity which empowers the fortuneteller.